Birdcage

Vinyl, Steel, Aluminum, Haitian Flower, Tibetan Orange, Brazilian Tan, Porcelain Skin, Plantation Tan, Perfect Tan, Authentic Tan, Nile River, Kauai, Irish Folklore, Winter in Paris, Brooklyn, Echo Park, Fiji, Antigua, Aztec Sky, Yucatan, Mayan Treasure, El Capitan, Paris, Himalayan Poppy, Kilimanjaro, Polo Tan, Ethiopia, Fire Island, Dark As Night, China White, Colonial White, Ivory Beauty, Ming Dynasty White, Ivory Tower, Byzantine Blue, Americana, Capri Cream, Mexican Moonlight, Navajo Sand, Syrian Violet, Granada, Chinese Lantern, French Stripe Red, Cherokee Red, Peking Orange, Indian White, New Colonial Yellow, Krypton, Icelandic, Cosmos, Kilkenny, Cyberspace, Wall Street, Pueblo, American Anthem, China Pattern, Life Force, New Orleans, Ultra Pure White
32 x 32 x 28 inches
2017
Birdcage extends the physical representation of color in a sculpture made from vinyl wall/ flooring base-transition. Each vinyl is custom-spray-painted and together form an organic flowery object. These colors are the same ones found in my two channel video, Colorbound. At the core lies an aluminum cast of Mao Zedong’s book of writings, also known in the West as the Little Red Book. Placed in the center of the sculpture, the aluminum object is removed of its original meaning while surrounded by a multitude of color strips. Much like feminist philosopher Marilyn Frye’s description of metal wires in relation to the whole of a birdcage, the individual colors act as a “network of systematically related barriers, no one of which would be the least hindrance... but which, by their relations to each other, are as confining as the solid walls of a dungeon.”

Other Works